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At the same time, techniques like the forging, filigree, or niello have become synonymous of the Ioannina production resulting in local silver smithery becoming of the highest quality. Each maker chooses the technique that better suits them, and that works best for the object they are making.
Today, Ioannina still have the reputation of a town associated with silver. Just before the quay, on Averoff street there are dozens shops selling silver objects and jewellery, while in other locations in town there are workshops were the artisans have studied next to some of the best-known older craftsmen. These new silversmiths preserve the tradition and promote creativity, not just for profit.
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We visited the workshop of Lambros Golas, a man who has dedicated his whole life to silver. “I started working with silver in 1991,” he told us as he gave us a tour of the workshop. “I trained next to a silversmith. And at the same time, I was a student at the Silversmithing School of Ioannina. And it’s a craft that has given me so much.”
To get to the workshop, we had to walk by the lake and so, had the chance to visit KEPAVI – the Traditional Crafts Centre of Ioannina. It’s a building that was created with the aim of reviving silversmithing by housing for instance, workshops or shops selling sliver products.
Today efforts are being made to redefine its goals, and highlight best practices, that help preserve and promote this particular artform.
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We look at the machinery and tools while we learn about each process in detail. “It’s a line of work that if you support it and take care of it it’s really hard to be out of work,” Lambros tells us, who, together with his colleagues Katerina Gkouma and Efi Nikolatou, creates unique works of art that are sold around the globe.
“In the past, before the spread of products made in China and Thailand, there was a much greater demand,” Lambros explains. “Today, even though there’s still a market, we can’t compete with China and Thailand. They have mass production, while we make everything ourselves. Handmade is of better quality, for sure, but at the same time it costs more.” As he tells us, in order to face the conditions and remain active in the market they’ve also expanded in selling online. Nevertheless, Lambros never thought about doing anything else.
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On our tour of the workshop, we understand how complicated the creation process is, and also the high standards applied. “From starting work on a piece, until it’s ready, we need to complete 35 stages,” he tells us as he shows us some elaborate designs. “You have to choose and process the design, create it, smooth and finish it, and many more stages in between, each one contributing to the quality of the final product.”
That’s what silver smithery is about, an art that is struggling to survive, while constantly supplying society with works of art. It requires discipline but also a will so as to expertly express both good taste and Epirotic tradition.
Info:
https://byzantinejewels.com/, Tel.: 0030 26510-72097
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